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Once this is done, I trash anything that is not flagged as a keeper and import the rest into a new Capture One session. Think of this step like preparing all the ingredients on the table before cooking, taking only what is really necessary to work. I do not zoom to see if the images are sharp I do not mind under or over exposed shots. My goal here is to keep anything that looks remotely deliverable. I get my number of pictures down to about 500-700 pictures. It takes me about 20-30 minutes to go through the whole wedding. In Photo Mechanics, I do not lose much time. Because it displays the JPEG file embedded in the Raw file, it is great to go quickly through the files of the day. My picture selection is split into two parts. Everyone knows how painful it is to select the keepers. Hero shot before before adjustments made in Capture One Pro 9ĭownload free 30-day trial here Step 1: CullingĪny good wedding retouching workflow requires a quick way to cull images. If I could get my portrait clients to look better with a simple software change, why shouldn’t I do the same for my wedding clients? It only took a couple of weeks before I switched my whole RAW processing workflow over to Capture One.
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Soon I realized the RAW files I developed with it looked much more pleasing to my taste. Shooting both portraits and weddings, I started using Capture One for tethered shooting in the studio. However, it is not so much the case in the wedding industry. When speaking with photographers, it’s apparent that Capture One has become quite wellknown amongst portrait, beauty, and fashion photographers.